Danny Gatton Licks And Tricks Pdf Editor
If one of your purposes for picking up the guitar in the first place was to have an instrument to communicate with, you’re going to need to spend time learning the languages—the appropriate scale types, rhythms, motifs, tones and so on—of the styles that you dig. Because the more phrases you can play, the more you’ll be able to say, musically speaking. You’d certainly want to inform yourself about a given subject before talking about it at length, wouldn’t you?
Of course the process doesn’t end with being able to play a handful of cool-sounding phrases. You’ll also need to understand how to apply these licks in assorted contexts and keys, and how to string them together to create coherent solos. But more importantly, you should listen to the music you like, just as much as you practice it. This will help you develop an intuitive sense of continuity in improvisation and composition. Sound like a plan? Let’s lap up some licks. BLUES LICKS Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune.
Danny Gatton Licks And Tricks Pdf Editor Video
In any form of music, some melodic ideas sound more at a home than others. JAZZ LICKS One of the most important aspects of proper jazz soloing lies in your ability to navigate ii-V-I changes (in C major: Dm7-G7-Cmaj7) with single-note phrases.
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Generally, these lines are heavily based upon arpeggios relating to the accompanying chords. To really get the gist of jazz, as with any style, you’re best served by studying the prime sources of the language. Who better to borrow from than bebop icon Charlie “Bird” Parker? BREAK As FIGURES 10A–B demonstrate, Bird’s blazing lines characteristically involve triplet-based arpeggios well-place altered tones, chromatic passing tones, and a grooving swing feel.